The Bottle Rockets |
Twangfest, a homegrown and lovingly
nurtured celebration of roots music, turns 10
this year. And it's throwing a four-night
birthday party Wednesday through Saturday, with a
roster of headliners including BR549, the
Yayhoos, the Dirtbombs and local heroes the
Bottle Rockets. For this series of concerts, the
volunteer organizers of the nonprofit festival
have tried to stay true to the spirit of its past
decade, which paralleled the growth of
alternative country and the expanding umbrella of
Americana music. "When we started in '97,
alt-country was something you could really point
to," says Amy Silvers, a Twangfest board
member from Kansas City. "Now, fewer and
fewer bands want to be associated with that
label.
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"So we wanted to
fit with the direction of the past few years, a broader
definition of roots music, from garage rock to power pop,
with stops along the way of American music: soul, country
blues like Kevin Gordon, rock like the Deadstring
Brothers, as well as twangy alt-country like BR549, the
Avett Brothers and Scott Miller." The first
Twangfest, a two-night affair at Off Broadway, featured
St. Louis' Belle Starr as well as the Waco Brothers, the
Ghost Rockets and the Sovines, a Columbus, Ohio, group
that is reuniting this year for the Friday show. The
festival was a spinoff of an early Internet news group,
Postcard 2, which grew out of Postcard, a
"listserve" devoted to Belleville's Uncle
Tupelo.
"Back
in those days, it was as strong a music community
as there is," Silvers says. "A lot of
people were writers already and went on to write
for No Depression," now a leading magazine
covering Americana music that was born about the
same time as Twangfest. "There were a lot
of musicians and fans, just an incredible pool of
talent," Silver says. "People wanted to
learn and hear more from each other."
Marie
Arsenault, a St. Louis booking agent and
Twangfest board member,
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The Yahoos |
Photo by Barry Gilbert
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says nobody counted
heads for the first Twangfest, because nobody expected
there would be another. But Twangfest 2 in 1998 sold
about 400 tickets over three nights, compared with about
1,200 over four nights last year.
The Deadstring
Brothers |
This
year, the festival begins on Wednesday at the Tap
Room and moves to Blueberry Hill's Duck Room for
the next three nights. In the past, Silvers says,
30 percent to 35 percent of the concertgoers have
come from outside the St. Louis area, some from
as far afield as Scandinavia -- a hotbed of
alt-country fandom -- and Australia. Peter Blackstock,
co-editor of No Depression who has attended three
Twangfests, says the festival has "a really
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high
profile, particularly among people interested in
alt-country and roots rock." Although Twangfest
competes for performers with other summer
festivals, it is quite different. For one thing,
performances are in clubs, not outdoors,
Blackstock says.
"I don't
know if there's anything like it," he said.
"It's not like (big roots-music outdoor
festivals) Merlefest or Bonnaroo or Telluride.
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"My
impression is that Twangfest has always been just
an outgrowth of what the people who run it and
attend it like." The closing night this
year will remain at the Duck Room, capacity 375,
unlike last year's finale with Neko Case at the
Pageant, which can hold up to 2,000.
Because of
competition from other festivals and bigger-draw
acts not touring, Twangfest decided to stay in
the smaller space for the final show on Saturday,
Silvers says.
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The Dirtbombs |
BR549 |
"We're
expecting it to be pretty packed Saturday
night," Silvers says, and not just because
the headliner is BR549, which played in town in
February. Lucero has been gaining momentum, and
Miller hasn't been here in three years. Miller and Saturday
night's opener, Mic Harrison, are likely to
provide a special treat: They were members of the
Steve Earle-produced, alt-country band the
V-Roys, and organizers hope for a reunion miniset
of V-Roys tunes.
Other acts are
generating excitement, too, Silvers says.
"The Dirtbombs have never played St. Louis,
and the Deadstring Brothers have a lot of buzz
right now."
Blackstock says
the Twangfest board's ability to reach a
consensus on acts that they want to see
"makes a difference. ... It's not like a
festival trying to book something for everyone.
They're really trying to book something for
themselves and hope there are enough people who
like it."
Or, as Silvers
says, with a laugh: "We don't book bands
that anybody on the board actively hates."
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FEATURED
AT THE FEST
Two St.
Louis bands are on the roster this year for
Twangfest. The Bottle Rockets will
headline the Friday night show, timed to
celebrate the release of the band's latest CD,
"Zoysia." And the Transmitters,
which includes longtime local musician Kip Loui
(Belle Starr, Rockhouse Ramblers, Diesel Island),
will open Thursday. The other headliners:
The
Dirtbombs, from Detroit, mix punk with
garage rock -- and a half-dozen more genres --
with two drummers, two bass players and singer
Mick Collins on guitar. Their latest CD, "If
You Don't Already Have a Look," collects a
mammoth 52 tracks of singles, rarities, outtakes
and covers. And for Trekkers, "I'm Saving
Myself for Nichelle Nichols (No. 3)."
The
Yayhoos, a roots-rock supergroup,
features former Georgia Satellites frontman Dan
Baird ("Keep Your Hands to Yourself");
Eric "Roscoe" Ambel, a songwriter and
producer, who has played lead guitar in great
bands, including Joan Jett's Blackhearts, the Del
Lords and now Steve Earle's Dukes; Terry Anderson
of the Woods and the writer of the Satellites hit
"Battleship Chains"; and Keith
Christoper, also a former Satellite, who has
played bass with Baird, Tony Joe White and Billy
Joe Shaver. Think three chords, some attitude, a
lot of humor and -- wait for it -- ABBA and
O'Jays covers.
BR549,
a retro-leaning outfit from Nashville, Tenn., is
led by singer-songwriter Chuck Mead. The band's
fine new CD, "Dog Days," features a few
tracks that go beyond the band's rockabilly and
honky-tonk style and flirt with pop and blues.
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TWANGFEST X
SCHEDULE
THE
TAP ROOM
WEDNESDAY
Walter
Clevenger & the Dairy Kings --
rootsy power pop from Southern California.
The
Avett Brothers of Greenville, N.C. -- a
bit of folk, a bit of country and a touch of
not-quite-bluegrass.
The
Yayhoos, featuring Eric
"Roscoe" Ambel, Terry Anderson, Dan
Baird and Keith Christoper -- from Brooklyn,
N.Y., but their sound is from south of the
Mason-Dixon Line.
THE
DUCK ROOM AT BLUEBERRY HILL
THURSDAY
The
Transmitters, of St. Louis --
straightforward rock band led by veteran Kip
Loui.
Glossary,
from Murfreesboro, Tenn. -- indie rockers with a
Southern bent.
The
Deadstring Brothers, from Detroit -- add
pedal steel guitar to heartland rock and country
ballads, mix in a bit of "Exile on Main
Street" Stones.
The
Dirtbombs, from Detroit -- crank up
punk, garage rock and R&B.
FRIDAY
The
Sovines -- a reunion of this alt-country
band from Columbus, Ohio. 9 p.m.: Kevin Gordon --
songwriter, singer and guitar player from
Nashville, Tenn., who holds a stage with literate
lyrics supported by sounds at once twangy, swampy
and bluesy.
Bottle
Rockets -- roots-rocking favorite sons
of Festus celebrate the release of their eighth
studio CD, "Zoysia."
SATURDAY
Mic
Harrison of Knoxville, Tenn. -- rock and
pop from former V-Roy and Superdrag guitarist. 9
p.m.: Lucero, of Memphis, Tenn. -- progressed
from alt-country rock to more straight-ahead
rock.
Scott
Miller and the Commonwealth, of
Knoxville, Tenn. -- also a former V-Roy, Miller
combines elements of folk, alt-country, heartland
rock and singer-songwriter honesty into
first-class Americana.
BR549,
of Nashville, Tenn. --high-energy rockabilly and
country.
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