Tag Archives: st. louis

Dave Alvin on mortality, happenstance and ‘Eleven Eleven’

Dave Alvin
Dave Alvin

By Barry Gilbert

Dave Alvin has become one of America’s greatest songwriters and guitar players. His early work with the punk-fueled R&B/rockabilly band the Blasters has matured into an adventurous exploration of American roots music encompassing folk, country and the blues.

His story and love songs are rooted in real people, ordinary working people facing personal and societal challenges yet somehow hanging on to a sliver of hope. Among his best: “Fourth of July,” “King of California,” “Ashgrove” and the new “Gary, Indiana 1959,” plus exquisite co-writes with Tom Russell on “Haley’s Comet,” “California Snow” and “Out in California.”

I interviewed Alvin for a Post-Dispatch story on June 14, 2011. I reached him on a tour stop in Asheville, N.C., about 11 o’clock in the morning — early for a working musician — and he apologized for not being totally awake. Here is a transcript of that interview, lightly edited for length and clarity.

We began by talking about Chris Gaffney, a fine singer-songwriter and accordion player and Alvin’s best friend who died of liver cancer at age 57 on April 17, 2008. Gaffney recorded with his own band as well as the great Hacienda Brothers, and he was a member of Alvin’s Guilty Men.

I told Dave I bought my first Gaffney album, “Chris Gaffney & the Cold Hard Facts,” in 1989 based only on the title and band name and became a fan instantly. I talked to Gaffney a couple of times at Alvin shows, and enjoyed the conversations.

Gaffney’s death hit Alvin hard.

DA: I could go on for hours. He was my best friend. He got all my jokes.

BG: Yeah, that is the mark of a best friend, isn’t it.

DA: That is the mark of a best friend (laughing).

BG: And if they don’t, they just pretend they do.

DA: He never pretended. He would let me know, on a scale of 1 to 10, how good the jokes were.

BG: “Two Lucky Bums” (on “Eleven Eleven”) of course is a duet with Chris. You had originally offered that as a download. And it’s that version I assume that’s on the CD.

DA: Yeah. I cut a couple of other songs for the record, and when I was piecing things together it kind of made sense to put it on and hold a couple of other things. … That just kind of summed everything up.

BG: There is a subtext of mortality on the new CD. Is that the influence of Chris’ passing, or is it bigger than that?

Continue reading Dave Alvin on mortality, happenstance and ‘Eleven Eleven’

The Baseball Project hits it out at Twangfest 15

Steve Wynn (from left), Mike Mills and Scott McCaughey of the Baseball Project at Twangfest 15, June 11, 2011
Steve Wynn (from left), Mike Mills and Scott McCaughey of the Baseball Project at Twangfest 15, June 11, 2011

By Barry Gilbert

The Cardinals may have dropped out of first place in the NL Central on Sunday, but on Saturday night they led the majors in song as the Baseball Project hit it out of Blueberry Hill’s Duck Room to close out Twangfest 15 in St. Louis.

Veteran rockers Steve Wynn, Mike Mills, Scott McCaughey and Linda Pitmon, wearing their twin passions for music and baseball like a uniform, tore through 14 tracks from their two CDs as the Baseball Project. And for extra innings, they connected on songs from some of Wynn, McCaughey and Mills’ other bands: Dream Syndicate, the Minus 5 and R.E.M., respectively.

Twangfest, which became Flood Fest on Friday night when storms outside caused floor drains inside the Duck Room to back up and leave an inch or so of stinky water underfoot, was threatened again Saturday when water started rising just about showtime. But the Blueberry Hill crew dealt with it quickly, and opening act Marah went on just a bit more than a half-hour late.

Continue reading The Baseball Project hits it out at Twangfest 15

Robbie Fulks swims with the tide on Day 3 of Twangfest 15

High tide at the Duck Room
High tide at the Duck Room

By Barry Gilbert

(Thanks to recording fiend Jeff Regan for an mp3 of “Wet Vac.”)

Friday night’s thunder and light show again flummoxed University City’s storm and sanitary systems. As drains backed up and the tide rose across the floor of Blueberry Hill’s Duck Room, I remembered that Nora O’Connor had the perfect song for the occasion in her catalogue: her cover of Tom Waits’ “Looks Like I’m Up Shit Creek Again.”

It wasn’t needed, because she and the rest of the crowd on the third night of Twangfest 15 listened in delight as headliner Robbie Fulks riffed twice on improvised songs.

As fans in sandals and flip flops sloshed in an inch or so of stinky water, Fulks and O’Connor battled a wet vac droning what Fulks judged to be middle-E and inspired what we’ll call “Wet Vac”:

“While the water came into the club/ the wet vac worked very hard./ Twangfest would not be ruined by the water/ so we diverted it into someone’s back yard./ While the rain in St. Louis couldn’t stop the Twangfest when they brought the wet vac out/And to the sound of the wet vac E/ all the (unintelligible) got to scream and shout/ (shouting) WET VAC … WET VAC … WET VAC … wet vac.”

Later, Fulks improvised the more involved “The Duck Room’s Goin’ Down.”

Continue reading Robbie Fulks swims with the tide on Day 3 of Twangfest 15

Bruce Robison, Kelly Willis dazzle at Day 2 of Twangfest 15 in St. Louis

By Barry Gilbert

The wait was more than worth it. Bruce Robison and Kelly Willis dazzled in a rare performance together Thursday night, their songs simultaneously reaching out to the head, the heart and the gut.

Headlining the second night of Twangfest 15 at Blueberry Hill’s Duck Room, Mr. and Mrs. Robison, backed by Will Dupuy on bass and Geoff Queen on pedal steel and guitar, offered 20 tunes over an hour and 20 minutes.

The set list mined the catalogues of each to good effect. But what made the night extra special was a handful of new duets that the couple unveiled, hinting of a career merger after about two decades of individual success.

It’s simply criminal that their mixture of country, pop and folk isn’t played on radio here, with the notable exception of Twangfest sponsor KDHX (88.1 FM). From the opening notes of “Sweet Sundown” to the closing masterpiece “Angry All the Time,” Robison and Willis displayed the honesty and simplicity that makes great songwriting.

Continue reading Bruce Robison, Kelly Willis dazzle at Day 2 of Twangfest 15 in St. Louis

Hayes Carll tells the truth at Twangfest 15 in St. Louis

By Barry Gilbert

“Doesn’t anyone care about truth anymore?” roots rocker Hayes Carll asked Wednesday night at the Pageant, then answered his own question: “Maybe that’s what songs are for.”

That lyric, from the wonderfully titled “Bad Liver and a Broken Heart,” closed out Carll’s encore and the opening night of Twangfest 15 at the Pageant, and a lot of what came before it from Carll and Elizabeth Cook had a lot to do with truth, broken hearts and, yes, bad livers.

Both artists are veterans of St. Louis’ roots music festival. Cook was making her third visit, Carll his second. But Carll’s represented a huge career leap from three years ago, when he opened for the Old 97’s at the same venue.

This time, fronting a full band led by guitarist Scott Davis, Carll was talkative, funny and charming, both in song and between them. He played 10 of the 12 songs from his new CD “KAMG YOYO,” military slang for “kiss my ass guys, you’re on your own.”

Carll and band brought out the CD’s stunning musical variety, from the rock of “Stomp and Holler” to the Irish-folk of “Bottle in My Hand” to the classic country sound of “Chances Are.”

Continue reading Hayes Carll tells the truth at Twangfest 15 in St. Louis

Michael “Supe” Granda: Still a Daredevil

By Barry Gilbert

Michael “Supe” Granda, St. Louis native and bassist for the Ozark Mountain Daredevils, has added a new series of gigs to his parallel solo career: “Supe’s On: An Evening of Songs, Stories & Serious Silliness.” The show, which debuts this weekend in St. Louis, features Supe singing songs from his Daredevils and solo catalogues, and telling stories drawn from his book on the band.

We had a very enjoyable chat last week, and my story from that interview appeared in Go! magazine (EDIT: The link is apparently permanently broken; ) in the St. Louis Post-Dispatch.

Also, here are some links to some earlier Supe/Daredevils stories

–A review of Supe Granda’s bandography, “It Shined: The Saga of the Ozark Mountain Daredevils”

— A review of the Daredevils’ CD “Rhythm and Joy: The 1980 Reunion Concert”

— A story from 2004, “Old stunts are new again”

— A story from 1999, “Band keeps on strummin’ ”

For fans of the Daredevils, Supe and the Sandwiches, Supe de Jour and the Garbonzos, here’s the interview Q&A, edited a bit for length and clarity.

————————

BG: I see by your area code that you’re still down in Nashville.

Supe: I’ve been in Nashville 19 years. Almost as long as I lived in Springfield. I love it down here. I got access to the greatest musicians in the world. For a musician and writer, it’s like being a kid in a candy store.

Continue reading Michael “Supe” Granda: Still a Daredevil

Twangfest 12 wrapup

The Waco Brothers
The Waco Brothers perform at Twangfest

The following post is an unedited version of my report for the St. Louis Post-Dispatch, which ran in a shorter form on Monday, June 9, 2008.

June 15, 2008

By Barry Gilbert

The Waco Brothers, an irreverent band of post-punk, country-leaning Brits from Chicago, and Ha Ha Tonka, young tradition-minded rockers from the Ozarks, closed out the four-night Twangfest 12 in style Saturday [June 7, 2008] at Off Broadway.

St. Louis’ not-for-profit, roots music festival came full circle with the Wacos, who inaugurated the series at Off Broadway in 1997.

Review of Day 1: Chuck Prophet, Centro-Matic, the Butchers and the Builders
Review of Day 2: The Gourds, the Dynamites featuring Charles Walker, the Deadstring Brothers
Review of Day 3: The Old 97’s, Hayes Carll, Miles of Wire, I Love Math
Review of Day 4: The Waco Brothers, Ha Ha Tonka, the everybodyfields, Caleb Travers

Clad in a variety of black Western shirts, the Wacos played for an hour and 45 minutes and tore through 20 songs, a set list that would have been longer if not for the Wacos’ nonstop onstage banter that ranged from British sexual practices to U.S. politics, with numerous checkpoints in between.

Continue reading Twangfest 12 wrapup

And so it begins …

This blog is intended as a place for fans of roots music — country, alt-country, roots rock, blues etc — to get together and discuss and critique our favorite music. I’ve been writing about music for many years forcowboy logo mainstream newspapers, and I’m looking forward to freeing my inner fan.

For the past 10 years, I have worked as a copy editor for the St. Louis Post-Dispatch, writing about music for the Everyday, Get Out and A&E sections: CD and concert reviews, concert previews, artist profiles, and Best Bets and Critic’s Picks. A link to those stories can be found on the Story Library page of this blog, or here.

Future posts will consist of original stories and reviews, as well as stories published by the Post-Dispatch, with links to the newspaper’s website, STLtoday.com.

I’ll also pass on links to other websites, blogs and music-releated places that catch my eye.

What are you listening to?

— Barry Gilbert