Tag Archives: Jethro Tull

Having a wild weekend: Dylan, Gangstagrass, Ian Anderson & more

By Barry Gilbert

We endured nine hours of traffic hell on our way to Chicago on Friday, a trip that should have taken six hours tops. Every time I was tempted to bail from the 5 mph-lanes of misery, I kept myself on track by repeating: “But we’re going to see Bob … we’re going to see Bob … we’re …”

Dylan’s unfortunately named AmericanaramA tour stopped at Toyota Park – and really, what more can be added irony-wise to a celebration of American roots music held in a suburban Chicago soccer stadium on a stage flanked by two giant pedestals topped by full-size vehicles made by a Japanese car company?

What we thought were great seats – field level, first section, stage right – weren’t so much, thanks to acres of standing room between us and the stage. That made it tough to see anything – and we were “close.” And there were no video screens.

Because we were two hours late, we missed the great Richard Thompson and My Morning Jacket, arriving during setup time for Wilco.

But Dylan was worth all the torture. Some people began to walk out after the third song, offended by the artist’s gravel-ravaged voice or not recognizing rearranged classics as well as the new songs – but, well, at this point what did they expect? The funny thing is, Dylan had more than a few moments when his voice veered toward the gentle – if not “Nashville Skyline” Dylan, then the expressive instrument displayed on “Tempest,” his newest album.

And keeping with Dylan’s penchant for expending no effort whatsoever to overtly please anybody, the majority of the songs in his 15-tune set were from the relatively recent past, leaning heavily on last year’s “Tempest” for gems such as “Duquesne Whistle” and “Early Roman Kings.” “Beyond Here Lies Nothin’,” from 2009’s “Together Through Life,” was a highlight, delivered with some edge and anger.

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Jethro Tull’s Ian Anderson continues his story in Peabody Opera House show

Ian Anderson
Ian Anderson

July 15, 2013 12:10 pm

By Barry Gilbert
Special to the Post-Dispatch

Gerald Bostock, the fictional 8-year-old protagonist of Jethro Tull’s 1972 epic “Thick as a Brick,” is alive and — perhaps? — as well as can be expected 40 years later. Gerald’s creator, British rock flutist Ian Anderson, is doing splendidly, as he proved before ardent fans in a packed Peabody Opera House on Sunday night.

Anderson is touring behind the 40th anniversary of “Thick as a Brick,” a tour begun late last year after Anderson’s solo release of “Thick as a Brick 2.” The sequel imagines what might have happened to young Gerald after a scandal that befell him in Part 1. The rock opera is well-suited to the acoustics of the opera house, and praise goes to Anderson’s sound engineer, Mike Downs, and the Peabody tech staff for one of the best-sounding rock shows this concertgoer has ever heard.

Every nuance of the dynamic music was exquisitely presented, showcasing the virtuoso talents of Anderson, drummer Scott Hammond, guitarist Florian Ophale, bassist David Goodier and keyboardist John O’Hara (the latter two also members of recent Jethro Tull incarnations).

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