Belleville-area native and Son Volt frontman Jay Farrar has two releases this spring: the CD “Honky Tonk” and the memoir “Falling Cars and Junkyard Dogs,” an episodic account of his life and times … so far.
The book’s short, almost songlike organization lets readers connect a lot of the dots. Farrar talked about the book shortly before taking Son Volt out on its “Honky Tonk” tour.
‘There’s a world of wisdom inside a fiddle tune,” Jay Farrar writes on the smart and evocative new Son Volt album “Honky Tonk,” a work that embraces the band’s early sound as well as that of classic country music.
Farrar hasn’t explored the fiddle and steel guitar vibe so extensively since “Windfall,” the first track on the first Son Volt album, “Trace,” in 1995. It’s a sound that was reinforced for Farrar over the past few years as he sat in with his brother Dade and new Son Volt player Gary Hunt in their St. Louis band Colonel Ford.
Farrar, a Metro East native and co-leader of the groundbreaking alt-country band Uncle Tupelo in the early ’90s, calls the fiddle a “transcendent instrument.”
“I wanted to explore the twin-fiddle sound, which is really something that speaks to me, and which I got to witness first-hand playing around town with Colonel Ford,” Farrar says. “It’s a powerful sound; it draws you in. There’s a natural chorus effect on the fiddle. The pitch is just a little bit off, and it’s an intriguing sound.”