Monthly Archives: July 2011

‘Got to Get Back’ to the Bo-Keys

Skip Pitts (left) and Howard Grimes of the Bo-Jeys
Skip Pitts (left) and Howard Grimes of the Bo-Keys

By Barry Gilbert

Listening to the Bo-Keys on Friday night at the latest Wood House Concerts show was absolutely sublime.

This retro but modern take on classic Memphis soul – the grit of Otis Redding, the groove of the MGs, the brass of the Memphis Horns – was just a joy to hear. And I couldn’t help thinking how much poorer we are for the corporatization and lack of adventure in modern radio, as the Bo-Keys reminded me of the days when you could snap on an AM radio and hear Aretha and the Animals, and Sinatra and the Stones, and keep up with the Joneses, Booker T and George. (Repeat after me, St. Louis: Thank God for KDHX 88.1 FM.)

The Bo-Keys have been together as a recording unit for only a decade, but some of the members of this interracial and intergenerational band go back to the glory days of Memphis soul. Co-founder Charles “Skip” Pitts played the signature guitar parts on Isaac Hayes’ “Theme From Shaft” and the Isley Brothers’ “It’s Your Thing.” Drummer Howard Grimes kept the beat at Hi Records during the heyday of Al Green and can be heard on his great single “Love and Happiness.”

The band performed all three songs last night, with Pitts growling through Hayes’ part and the terrific singer Percy Wiggins standing in for Green and Ronald Isley.

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Dave Alvin on mortality, happenstance and ‘Eleven Eleven’

Dave Alvin
Dave Alvin

By Barry Gilbert

Dave Alvin has become one of America’s greatest songwriters and guitar players. His early work with the punk-fueled R&B/rockabilly band the Blasters has matured into an adventurous exploration of American roots music encompassing folk, country and the blues.

His story and love songs are rooted in real people, ordinary working people facing personal and societal challenges yet somehow hanging on to a sliver of hope. Among his best: “Fourth of July,” “King of California,” “Ashgrove” and the new “Gary, Indiana 1959,” plus exquisite co-writes with Tom Russell on “Haley’s Comet,” “California Snow” and “Out in California.”

I interviewed Alvin for a Post-Dispatch story on June 14, 2011. I reached him on a tour stop in Asheville, N.C., about 11 o’clock in the morning — early for a working musician — and he apologized for not being totally awake. Here is a transcript of that interview, lightly edited for length and clarity.

We began by talking about Chris Gaffney, a fine singer-songwriter and accordion player and Alvin’s best friend who died of liver cancer at age 57 on April 17, 2008. Gaffney recorded with his own band as well as the great Hacienda Brothers, and he was a member of Alvin’s Guilty Men.

I told Dave I bought my first Gaffney album, “Chris Gaffney & the Cold Hard Facts,” in 1989 based only on the title and band name and became a fan instantly. I talked to Gaffney a couple of times at Alvin shows, and enjoyed the conversations.

Gaffney’s death hit Alvin hard.

DA: I could go on for hours. He was my best friend. He got all my jokes.

BG: Yeah, that is the mark of a best friend, isn’t it.

DA: That is the mark of a best friend (laughing).

BG: And if they don’t, they just pretend they do.

DA: He never pretended. He would let me know, on a scale of 1 to 10, how good the jokes were.

BG: “Two Lucky Bums” (on “Eleven Eleven”) of course is a duet with Chris. You had originally offered that as a download. And it’s that version I assume that’s on the CD.

DA: Yeah. I cut a couple of other songs for the record, and when I was piecing things together it kind of made sense to put it on and hold a couple of other things. … That just kind of summed everything up.

BG: There is a subtext of mortality on the new CD. Is that the influence of Chris’ passing, or is it bigger than that?

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